Vol 6, No 1

Institutionalizing Moving Image Archival Training: Analyses, Histories, Theories

Full Issue

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Table of Contents

Editorial

Introduction PDF
Christian Gosvig Olesen, Philipp Dominik Keidl 6-11

Is Film Archiving a Profession Yet? Reflections 20 years on

Is film archiving a profession yet? A reflection - 20 years on PDF
Ray Edmondson 14-22
What Price Professionalism? PDF
Caroline Frick 23-25
Interdisciplinarity, Specialization, Conceptualization PDF
Eef Masson, Giovanna Fossati 26-30
What Do We Profess To? PDF
Benedict Salazar Olgado 31-33
The History of The L. Jeffrey Selznick School of Film Preservation: Changing the Field PDF
Caroline Yeager 34-37

Articles

Multiplying Perspectives PDF
Alejandro Bachmann 40-46
Learn then Preserve PDF
Simone Venturini 47-57
The Current Landscape of Film Archiving and How Study Programs Can Contribute PDF
Adelheid Heftberger 58-69

Forum Section

A Look Back: The Professional Master’s Programme in Preservation and Presentation PDF
Thomas Elsaesser 72-78
Minding the Materiality of Film: The Frankfurt Master Program PDF
Sonia Campanini, Vinzenz Hediger, Ines Bayer 79-90
The Materiality of Heritage: Moving Image Preservation Training at HTW Berlin PDF
Ulrich Ruedel, Martin Koerber 91-96
Upholding Tradition: The MA Program at the Film University Babelsberg KONRAD WOLF PDF
Oliver Hanley 97-101
Education Through International Collaboration: The Audiovisual Preservation Exchange (APEX) program PDF
Pamela Vizner, Juana Suarez 102-112
Learning From the Keepers: Archival Training in Italian Cinematheques PDF
Rossella Catanese 113-120

Book Reviews

Review of Film History as Media Archaeology PDF
Giuseppe Fidotta 122-123
Review of Hollywood and the Great Depression PDF
Andrée Lafontaine 124-125

Notes on Contributors

Notes on Contributors PDF
Synoptique Editorial Board 126-130

Call for Papers

Call for Papers PDF
Synoptique Editorial Board 131-139


 

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